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Hans Christian Anderson: storyteller, author and papercut artist

Writer: Rachel Goodchild
Rachel Goodchild
Jun 17, 2021
3 min read

Updated: Aug 24

Hans Christian Andersen paper cut

Hans Christian Andersen (1805–1875)

As well as being a great storyteller, Hans Christian Andersen would amuse his friends and their children by making paper cuts to accompany his stories. Using a large pair of scissors, he could create the most delicate, fine paper cuts. He would tell his stories whilst cutting into a piece of folded paper, then at the end of the story he would unfold the paper and reveal a delicate paper cut to an amazed audience.


He didn't regard paper cutting simply as a craft or illustration technique. It was a way of thinking visually and telling stories with shapes.

Throughout his life, Hans Christian Andersen was an addict to paper. He wrote on it, he drew on it, plus he used it to cut into. Born in Denmark into poverty to a cobbler father, who died when Hans was aged 11, and an illiterate mother, Andersen listened as women in the local asylum talked and his father read stories. 


Hans had no formal education until he was aged 17, when he was placed in classroom with students six years his junior.

He soon erupted with creativity, and his stories tumbling down the decades. His papercuts are testament to the care he gave each of his tales.



Hans Christian Andersen | paper Cuts

Anderson utilised the negative space in his designs. He often folded his paper before cutting. When unfolded, the cuts formed symmetrical or mirrored compositions. Thus, he wasn't merely drawing an object and cutting around it.


 Et helt udklippet Eventyr  by Hans Christian Anderson
 Et helt udklippet Eventyr  by Hans Christian Anderson

Andersen created intricate paper-cuts alongside his Stories. in 1864 he created Et helt udklippet Eventyr ("A Whole Cut Fairy Tale") Size: 13 9/16 x 13 1/4 in. (34.4 x 33.7 cm). This series features symmetric designs with handwritten verses, and was often sold to raise money for charitable causes. It sold at auction for approximately €33,600 (which is approximately £28,000–£30,000) making it the highest-priced individual Andersen paper-cut




Anderson's designs are non-geometric


Anderson's symmetry isn't the strict symmetry we might think of with geometric designs. Instead, it embodies an organic symmetry. A swan on one side could be balanced by a dancer on the opposite side. A flower might be balanced by a figure, and a large shape could be offset by several smaller ones. This creates a sense of visual equilibrium rather than mathematical precision.



creating story-telling without using words


This is perhaps the most exquisite connection between Andersen's writing and his paper cutting. His fairy tales would convey stories through language, and his paper-cuts would narrate his stories through their silhouettes.




Andersen's fairy tales include:


"The Angel" (1843)

"The Bell" (1845)

"Blockhead Hans" (1855)

"The Elf Mound" (1845)

"The Emperor's New Clothes" (1837)

"The Fir-Tree" (1844)

"The Flying Trunk" (1839)

"The Galoshes of Fortune" (1838)

"The Garden of Paradise" (1839)

"The Goblin and the Grocer" (1852)

"Golden Treasure" (1865)

"The Happy Family" (1847)

"The Ice-Maiden" (1861)

"It's Quite True" (1852)

"The Jumpers" (1845)

"Little Claus and Big Claus" (1835)

"Little Ida's Flowers" (1835)

"The Little Match Girl" (1845)

"The Little Mermaid" (1837)

"Little Tuk" (1847)

"The Most Incredible Thing" (1870)

"The Naughty Boy" (1835)

"The Nightingale" (1843)

"The Old House" (1847)

"Ole Lukoie" (1841)

"The Philosopher's Stone" (1858)

"The Princess and the Pea" (1835)

"The Red Shoes" (1845)

"The Rose Elf" (1839)

"The Shadow" (1847)

"The Shepherdess and the Chimney Sweep" (1845)

"The Snow Queen" (1844)

"The Snowman" (1861)

"The Steadfast Tin Soldier" (1838)

"The Storks" (1839)

"The Story of a Mother" (1847)

"The Sweethearts; or, The Top and the Ball" (1843)

"The Swineherd" (1841)

"The Tallow Candle" (1820s)

"The Teapot" (1863)

"Thumbelina" (1835)

"The Tinderbox" (1835)

"The Traveling Companion" (1835)

"The Ugly Duckling" (1843)

"What the Old Man Does is Always Right" (1861)

"The Wild Swans" (1838)


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